![]() ![]() His varied commissions include, perhaps surprisingly, a large number of garden decorations, which are found particularly in the Netherlands. Jan Peter van Baurscheit was a busy sculptor and architect. Given the high quality of the vase this is undoubtedly a work of Baurscheit himself. On the reverse is a second relief showing Diana and a kneeling nymph. ![]() The marble garden vase modelled after this terracotta is conserved in the Huis Osterrieth in Antwerp. The example discussed here can therefore, in terms of both composition and virtuosity, be compared with a Rubens sketch. More strikingly than other terracottas, this model highlights how clay can "betray" the sculptor, who can kneed and mould the material in such a way that the bozzetti reveal, more clearly than the final sculptures, not only his fingerprints but also his spontaneous thoughts. An eagle with a staff lies in the foreground as the attribute of the crowned god. Both figures are draped in a fluttering cloth that gives greater impact to the diagonally composed construction. We are struck by the strength of the movement and by the sensuality radiating from the naked female body. The god of the underworld abducts Persephone, making her queen of his kingdom of the spirits, a loss which her mother Demeter, the goddess of crops, mourns so grievously that all plant growth on earth is lost.īaurscheit depicts the dramatic moment when Hades grabs fast his prey - we clearly see his fingers clasping into her flesh - whilst Persephone puts up a struggle and pushes away her attacker. ![]() In fact the relief represents only one of the two scenes on the vase, a depiction of The Abduction of Persephone by Hades. This terracotta square relief has served as a model for a vase. ![]()
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